Во прикреплён к сообщению ​

Fill in the gaps with some, any, no, much, many, few, a few, little, a little

 1. I have no time to do the dishes now. Will you do them for me, please?
2. Few students were able to pass the exam. It was rather disappointing.
3. Can I have some tea, please? It’s very cold here.
4. We need to hurry! We don't have any time left.
5. Ryan had so much in his mind that he couldn't concentrate on anything anymore.

6. Have you got anyEnglish books at home? - Yes, I have some.
7. Some/few people might like to live a lonely life, but most don't.

8. Very few people are actually happy with their salaries.
9.'Do you ever go to Atlantic City?' 'Yes, I go there times every year.'
10. This town is not a very interesting place to visit, very few tourists come here

Opera to date is definitely not a dying genre. On the contrary, it became a mandatory item in the programs of travel agencies, political and economic forums and even poster of multiplexes. Reasons for going to the opera house are very different: to see the status chandeliers and lodges, to listen to Anna Netrebko, to walk the diamonds, to find the debut of Theodor Curentzis in Salzburg, for the hundredth time to hear your favorite arias and recitatives or see the premiere of Dmitry Chernyakov in Paris. However, regardless of the motives for the modern spectator to come to the opera, he eventually ends up in a performance. And according to the laws of the current theater era, even the most celebrated singers and conductors will sing and play not by themselves, but according to the director's plan. It is the new hierarchy which irritates the opponents of the "regulators" most of all. However, this contemptuous word has long been too tight for the numerous directors' workshop, which put and put the opera. Ilya Kukharenko and Olga Fedyanina compiled a map of trends and approaches in opera directing. Of course, imperfect: the more significant the director, the more he tries to go beyond his territory.