ну вот вроде бы так:
hello, dear visitors of a museum.you are in a museum devoted to seven miracles of the world.
at first show our colossus of influence of rhodes, a huge statue of the greek god of the sun of helios which stood in a seaport of rhodes.
at the left you find hanging gardens of babylonthey were in ancient babylon.
our third of esponat artemis's temple was the greek city the hilt on the coast of asia minor (now the city of selkuk in the south of area of izmir, turkey). the first largest temple was constructed in the middle of the vi centuries to n э by e.
ahead you see that mayakon alexandria was founded on the small island of the beacon in the mediterranean sea near the coast of alexandria. this noisy port founded by alexander the great during his visit of egypt.
if you look for, you see zeus statue.outstanding part of an ancient sculpture
then we show the mausoleum of a tombstone of halicarnassus the governor of carian mosolus constructed in the middle of the iv centuries to n э by e. on orders of his wife artemisia iii.
at last our last exhibition of pyramid of cheops.biggest of pyramids of egypt, the only thing of "seven miracles of the world" it was kept to this day. construction is expected which twenty years, finished in about 2540 to n э e lasted.
thanks for your attention.
From the moment of the emergence on the earth people used the natural tool - vocal chords and lungs to communicate with each other not only by means of speech, but also by means of singing. It is possible to imagine that in a protogenic condition the song was - and, possibly, never ceased to be - only word continuation. The person sang, wishing to express the inexpressible - the pleasure, a grief, to give a rhythm to the work or simply to continue silence, to deck it suddenly arisen sense of beauty. The first documentary certificates have appeared only while the song was included into church. It is very possible that priests borrowed a lot of things from national repertoire; thanks to the uniting power the church strongly influenced song evolution, favoring to continuous crossing in it religious and secular elements.
In a bosom of church there were the students speaking and singing in Latin organized in gangs голиаров who, despite the monastic attire, often undermined trust to episcopal ордонансам. Belonging to churchmen, they nevertheless willingly sang on Latin about terrestrial pleasures. Goliara бродяжили from Seine to Loire, from Loire to Garonne, singing on motive of "Dies irae" ("Day of anger") not of God's glory, not lives sacred, and terrestrial pleasures, wine and love.
Minstrels became the first professional singers; the former jugglers have based in 1331 the corporation under the protection of St. Julien. "... At zhonglersky schools songs about acts" (chansons de geste) - songs about Guillaume Oranskom, about the rebelled barons were created ", - writes to Gui Erisman. - Such is an origin of troubadours and trouveres which can be united as usual the name of trouveres ("hunters"). вот это подойдёт?
